Fading

Rationale

This series of images discusses about how families are forgotten after war that they are the ones left behind to pick up the pieces. The inspiration behind this piece was several photojournalistic artists that worked in the major wars of the 20^th Century. I wanted these images to look dark and grungy and have a depressing feel about them. The woman in the image is standing on a balcony looking as though she is waiting for her husband to come back but through the series of images it is obvious that her hope is fading as she disappears completely by the end of the series. The images can be read and interpreted several ways, it can be interpreted that her hope is fading that her husband will never return. It also can be interpreted that over time she will be forgotten and is expected to carry on with her life. The images also have a sense that the woman’s memory is fading and this is a topic that the Australian Photographic Artist Anne Ferran is famous for.

I wanted the five images to have a surrealist look to them, as they are not a reflection of the past but an insight into the emotion of how the families and wives were feeling at this time. Through my research I found that artworks at the period of both the world wars were heavily influenced by death, destruction and fear. The series of images in “Fading” can be related to several photographers such as Margret Bourke-White and Anne Ferran who use shutter speed in their work in similar ways.

I Just Need Someone to Listen

Rationale

This apeture project is about escapism from depression, depression is a very senstitive topic within Australia and depression is the leading cause of suicide within Australia. About 20% of Australians will face depression within their life with 6% of people suffering major depression. Tasmania has the highest rate of suicide from depression in Australia (http://www.mindframe-media.org/site/index.cfm?display=85537) 2191 people committed suicide in Australia in 2008. Depression is a common illness and it can be treated most mental illness can be treated if detected early (Beyond Blue).

The purpose of this project was to raise awerness about how people were taking their own lives from a preventable illness. The water tank symbolises a form of escape for someone suffering depression. Once under water no one can here your screams, you are alone, you can escape your problems. You are free… This project is not about condining suicide but showing it in public to raise awarness that these people are real they have faces, they have families. They might leave their problems behind but their families are also left to wonder why?

This project can be read and interpreted on many levels in the critque the feedback suggested that this project was very successful and strong in illustraing this story. People saw the images as disturbing and confronting of watching someone take their own life before there own life. Though the group said they were disconnected from the person as they did not know who they were. The Group said that you were able to connect with the way the person was feeling even though you did not know them. You could connect that they felt alone, isolated, lost, that she was screaming underwater and that no one was there to help you.

To shoot this project I had to fill a 200 litre fish tank full of water then I played with the lighting in the garage and made several tests with the fluro lights. I then tested the light with just natural light and decided that I was not able to control the natural light how I wanted. So I then blacked out the window on the door in the garage with cardboard. After doing this I then used a bed lamp to light the tank from the side this was a little difficult as I kept getting a reflection of the light bulb.

To shoot these images in the certain style I was thinking of I bossted the camera ISO to 1600 and shot the images on a 1.8f stop with a 50mm lens. I had to set the camera onto burst mode as I only had a short time to get the images while the talent was underwater. I tried to shooting the images with different light settings and ISO settings a few images I tried with not light and a very high iso but it did not give the effect on the image I wanted.

After shooting all the raw files I then importeed them into photoshop and played around with the contrast settings trying to darken the image. I was very happy with the end result of the raw files they turned out exactly how I invisaged, as old time evidence photos.

I am thinking about printing the images on matte paper with no borders though I will be testing with borders and different paper. I was also thinking about presenting these photos in an evidence bag so the viewer has to open the bag and it will give the project a sense of mystery.

E-Media: Human Movement

Initial Ideas: My initial idea for the loop project was to have a gymnast do a back flip from the left side of screen to the right of the screen until he is out of frame. This would then create a seamless loop as the person would constantly be entering and exiting the screen. This idea was story-boarded and a gymnast was organized for the shoot, though the shoot was cancelled the day before as the gymnast broke his ankle so i had to make another loop instead.

Intent: The intent for this project was to create a 10 second - 1 minute loop, throughout the lectures i became very interested in several artists works that was inspired by human movement. I was particularly interested with the concept of the advertisement that sony used for its new motion flow television.

My next concept still involved using human movement, i arranged a group of break dancers for my next shoot in the alley way behind the centre point shopping centre. The shoot involved filming their aerial and break dancing moves. The idea behind this shot was to use one of their single moves and loop it seamlessly to look like the move would never end. Whilst editing the footage i found this quite difficult to do as the dancers were not landing the moves in the exact same spot. I edited the video below to show in the critique, this was a rough cut of some of the footage from the day. I explained my initial concept and showed the rough cut and mentioned that it could be possibly be used as a loop it self in a DVD menu. It was decided in the critique though that i should try and get one of these moves of human motion in a loop itself, which i completely agreed with as this was my initial concept.

Human Movement - First Test from Robert Harrison on Vimeo.

After the critique i rescheduled another shoot and shot single shots of particular moves. Whilst shooting the single moves i also shot close up cutaways to use a back up shot in case the moves were not seamless. The video below is an example from the shoot.

Human Movement- Loop from Robert Harrison on Vimeo.

The video below is the finished version of the loop, it was slowed down in Final Cut Pro to 10% of its original speed. This was done to emphasise the movement of the breakdancer with trailing motion blurs of a low frame rate. The music was also slowed down to the same speed as the vision so the music beats still matched the dancers moves.

Human Movement - Head spin ultra slow motion from Robert Harrison on Vimeo.

Reflection: In reflection of this project, i think it was really effective in achieving what i initially set out to do. The loop shows quite a different approach to visualizing human movement and illustrates images that the ordinary public generally does not see everyday. This loop was made to be shown in a gallery space viewed on a large screen or projector. Even though the beginning of the production for this project was set back a few times the end result was worth the extra effort. Throughout the editing i learnt a few new features in magic bullet looks for colour grading techniques and this helped in achieving a graphic look to the production.

Digital Imaging- Who am I? Who are you?

Materials: 27 Rubik's cubes and printed A4 Labels.

"Who am I?, Who are You?" reflects the mind of an elderly person suffering from severe dementia. Each side of the Rubik's Cube is a image of one of their family members. The images have been scrambled together depicting how a person suffering from this condition is not able to recognise or remember their relatives. The cube also resembles the fear that someone suffering Dementia must be going through trying to recognise all the unfamiliar scary faces that are in fact their own family.

"Who am I?, Who are You?" was not the original concept for the Rubik's Cube, initially the cube was going to have images of unsolved mysteries. This changed when I visited my grandmother in a nursing home, whilst i was visiting another family came into visit a patient next door and she did not know who the family was as she had serve dementia. This inspired me to change the concept of the cube to represent the mind of a patient suffering from dementia.

Process- The overall process to get the end result of the finished cube was very time consuming. The first stage involved taking six high resolution still images of family members from a front on angle. The cube was then measured and the dimensions were duplicated in photoshop, the six images were then layered over top of each other and squares were cut out to get the Rubik Cube look. The six images were printed onto A4 Label sheets and guillotined into squares. The next step involved sticking all 486 individual squares onto the Rubik's Cube then I glued the 27 Rubik's cubes together resulting in the final giant cube.

The beginning of the Rubik Cube

Side One of the "Who am I?, Who are you?" Rubiks Cube

Side Two

Side Three

Side Four

Side Five

Side Six

Conceptual image of what Rubik's Cube would look like.

Rubik's Cube Digital Trial

Trial and Errors- Before I finished at my final idea there were many trial and errors through the process. One of my first ideas was to create a canvas by solving Rubik's Cubes to make the face of Kevin Rudd however I discovered this was going to be to time consuming after a few trials.

This was a trial using the Rubik's cube colours on the images. I decided that using colours of the cube took the seriousness of the topic away from the image.

'Pathways'

Pathways from Robert Harrison on Vimeo.

The process for my text project started on my walk back to my car after the lecture on automatic writing. I came across an alleyway that I found quite interesting; it had a real grungy feel to it and a lot of character. I came back the next day to the alleyway and found a spot and began my automatic writing. The words that first came into my head seemed very dark and somewhat disturbing in a way they seemed to simulate the feeling of the location. This is a list of words that came from the writing session.

stressed, lifeless, boring, worry, uncertainty, fear, rejection, dirt, angst, depression suppress, insecure, dreary, fail, failure, pressure, lonely, death, sadness, loneliness, decision, escapism, anguish, negative, desperation, escape, solitude, hate, cloudy, no dreams, office bitch, no freedom, graffiti, random, lost, dark, anxiety, chance, desire, filth, dreamer,

 

I found it quite interesting how the words I wrote in a way replicated my emotions to a particular location so later that afternoon on my way to the car I sat on a bench in Franklin square and began another session in automatic writing. The words this time were quite positive compared to the alleyway.

 

Sunny, hope, laugh, pathway, dreams, excited, happy, aspirations, goal, achieve, laughter, hungry, birth, joy, forgiveness, acceptance, positive, love, bright, future, independence, knowledge, power, together, freedom, blissful, right, relaxed

 

After comparing both sessions of automatic writing, I had the idea to join both the sessions together in a narrative. After looking at the words of each session I found that the words could actually be related to the pathways people choose in life. Whether you start going down the wrong pathway in life it is never to late to change. It can only take a word to simply change the direction you are travelling to get you back on track.

This is the story ‘Pathways’ tells, it starts with a man who seems to be spiralling into an unknown place, which is symbolised by him walking down the stairs. The further he gets into the story the more things seem to be on his mind and the accumulation of text seems to be dragging him down. The text becomes more and more dominant in the frame as the shots progress until the man finds another pathway and suddenly his stress and worries are eliminated. The man arrives at a place where everything seems to be blissful where his world is finally worth living for.

I choose to film in the same locations I wrote both pieces of automatic writing because I wanted to try emulate the same thoughts and feelings I originally had for both of these places on the screen.

Storyboard

 

 

The Editing Process

‘Pathways’ was initially captured and edited in Final Cut Pro and was graded in Magic Bullet then imported into After Effects to add all the layers of text. Each piece of text in ‘Pathways’ is an individual moving 3D layer and was adjusted using X, Y and Z co-ordinates and key framed individually. There was over 350 key framed layers in ‘Pathways’, and it was difficult initially to make the text to look three dimensional on a single video layer without the use of a green screen. To avoid this problem of not being able to have text behind the character I created individual cameras for some pieces of text to create depth of field as well as using lens blurs on some of the text. Once the text was all composited into After Effects and key framed I then exported it into Final Cut Pro for a fine cut and a final grading in Magic Bullet.       

 

Reflection

In Reflection I think that my short film ‘Pathways’ was effective in creating a unique text project. I managed to create the look and feel I originally set out to achieve, and I learnt new techniques in After Effects in the process. From the critique I made a few small changes, which I thought were very valid comments and this helped create the feel I wanted in the production. I found the filming of this a little difficult as I was using a handheld camera with no manual controls, so for various shots I had to trick the camera into focus by getting the camera to focus on my hand, I also had the same problem with the exposure. If I was to do this production again I would shoot it on a different camera with manual settings, though the images came out good it would have made the initial shoot a lot easier. Overall I think ‘Pathways’ was successful in many aspects and there would not be many things I would change about it. 

Digital Imaging - 'First Week'

'First Week'

My digital collage still maintains the same theme and message of chaos expressed through my manual collage. The digital collage now shows these ideas through a more logical process, similar to how a human brain would organise all the new experiences.

The image can be simply broken down to the character in the foregrounds thoughts of the week being downloaded to a computer, which is located in a massive computer hub with screens on the wall showing images of the week. These images and data are being organised into dates and graphs assembling the information into a logical form. 

I tried to keep the feeling of a three dimension work in a two dimensional form by creating depth through the use of a foreground mid ground and background. I decided that the colour red was a fundamental part of my image as it represented stress and gave a feeling of chaos.

I created a character, which represented my self as I wanted to incorporate how a human brain and a computer system sort of operate the same way in storing memorial in a logical form.

The main reason I choose to reflect on my week at university this way was because I wanted to create an image that was personal to show what it was like to adjust to a new experience. I found that my first week was a bit chaotic and I wanted to relate how the human brain can operate in a similar way to a computer system. I wanted to replicate how my image matched my thoughts.

I haven’t taken anything away from my manual collage as such in my digital version. I have just managed to compose the image to make it more aesthetically pleasing. All the core ideas were retained in the digital image, with the links between the neurological system and thoughts, feelings and memories. But were …….

There were several trial and errors before I managed to produce an image that I was happy with. It started with taking a photo of the manual collage and importing it into photoshop and de-cluttering the image and keeping the main visual elements like the keyboard keys and Utas symbol. I made attempts to create electrical wires in photoshop using opacities and glow effects but my main concern was that I wasn’t representing my week in quite the way I envisaged.  

This sparked two more attempts to create two more images with a typography approach which I first used in the manual collage. This however I did not find the most exciting visually stimulating piece of work.  It was creating with the intent that my thoughts and feelings were all linked together through the neuro networks of the brain and almost had a feeling that these thoughts could just escalate forever.

Challenges – the main challenges I faced was trying to create a sense of perspective without the viewer realising that infact there eye was following the picture from right to left. I wanted the viewer to try deceiver the information that my brain had to take in that week, rather than the viewer just seeing it as a flat image. 

Digital Imaging - Slave for Addiction

Intent: The intent of this project was to create a narrative using three or more images to illustrate how the coffee trade can be related to the illicit drug trade. I also wanted to try educate consumers that when they purchase a cheaper product in supermarkets to try and think where this product has come from because their is usually a reason why it is cheaper than others on the shelf.

Producing the final images- Five of the eight photographs were all my images that have staged with props and manipulated in photoshop. The images that i have uses from sourced sites and manipulated were 'Dealers', 'Silenced' and 'Slave Fields'.

Artist Statement-

Materials: Installation, Photography and Print

'Slave for Addiction' uses eight separate images to illustrate the parody between the coffee trade and the illicit drug trade. Together these images convey how mass marketing and consumption of cheap consumer products such as coffee may have a positive effect on consumers. Although this also has a horrific impact on the slave workers who are forced to work for these companies to produce a cheap alternative.

The set of images can be either viewed from left to right horizontally, though the narrative can be viewed starting from any image in the set. This is because each of the sections of the set inter weave and relate to each other through various points. An example of this is the slaves make the products, the consumers purchase them and them become dependant and addicted, this then becomes a never-ending cycle.

'The Lab'

This image is a take off of a backyard Meth lab in someones bathroom. 'The Lab' shows as consumers we don't know the actual origin of these products, what ingredients are put in them and if the label is displaying the correct information.

'Labyrinth'

(Same principal as the Lab from a different angle)

'Dependency'

'Dependency' illustrates societies absorption of mass marketing and product branding, it also discusses our dependency of repetition of daily activities such as drinking coffee every morning.

'Addiction'

'Addiction' discusses how some people have become heavily reliant on their daily fix of coffee just to even start there daily routine. This I believe starts from the marketing of caffeinated related products such as coffee to give us our quick fix of energy when we feel deflated. This is similar to the need drug addicts have to get there next hit, which is symbolised in the image by the girl shooting coffee directly into her veins.

'Cartel'

The image 'Cartel' illustrates the mass production and consumption of coffee through major supermarket chains and global enterprises across the world. As consumers we are able to buy coffee at cheaper prices then ever before. However amongst all the glamour and sleek advertising the background information of where these products have actually come from are forgotten. The companies who produce these products at low prices forget to mention the slaves who work in horrific conditions in third world countries to deliver us cheaper competitive prices. These supermarket giants in a way are like the local cartel like the illicit drug trade.

'Dealers'

'Dealers' is an altered image of a coffee chain giant Starbucks, referred here as Starfucks Coffee. This image relates to coffee shops as the dealers of coffee beans just like the dealers of the drug world. Coffee shops rely on consumers becoming addicted and dependant on there products so they purchase them on a daily basis.

'Silenced'

'Silenced' shows a young boy, like him many other children are forced to work in horrific conditions, just like the slave workers harvesting opium and cocaine. In this image he has his lips sewn together representing that he has no choice or no say over his entire life. This boy is forced to grow up into a world where consumers expect competitive prices and this is how supermarket giants achieve these figures.

'Slave Fields'

'Slave Fields' depicts a scene from everyday life which slave workers have to undergo just to stay alive. These people are forced to work at gun point just to produce coffee at competitive prices for retailer giants.

Other concepts and Ideas

My first concept for my narrative task was to create five images showing the effects of climate change over a 500 year period in tasmania. These two images were tests of possible layouts of the images, this idea was abandoned early as it became very time consuming the scale that i wanted these images to be.

Test Image Two

Test Image One

Core Studies: 'The Hidden Truth'

Development of Ideas and Rationale

‘The Hidden Truth’ is a stencil installation piece, which uses light to hide and reveal the truth; just the way the government can pull a sheet over the eyes of the public to hide the truth within the media. These three stencil works are part of a series of sections showing how the Howard government presented false information to the Australian public throughout their 10 years in government.

The false information that was told to the public is represented in black spray paint on the canvas and can only be seen when the lights are turned on in the room (Canvas Lights On). Once the lights are turned off the truth is then revealed to the public with text that glows in the dark, which is painted on using phosphorescent spray paint, commonly known as ‘glow in the dark’ paint. The phosphorescent spray paint represents that if you look hard enough or question information everything isn’t as transparent as politicians lead to believe (Canvas Lights Off).   

Phosphorescent paint works by charging up under UV light over a period of time and once charged can glow in the dark for hours. ‘The Hidden Truth’, was created on canvas and I used stencils to create the lettering with black matte spray paint and phosphorescent spray paint.

The other two canvases have images on them showing the picture that was released to the public and the images that were hidden from the public. These images were printed on the computer and then sprayed with phosphorescent paint so the truth was visible. There are three images per section in the installation piece and each section has a light turning on and off on a ten second timer. This allows the phosphorescent paint to maintain charged and the truth is constantly revealed. As well as the lighting timer each section will also have audio from newscasts of politicians relating to each section these will be played on a loop.

 

Canvas Lights On: When the lights are turned you can only see the lies of the government.

Canvas Lights Off: When the lights are turned off the canvas discards the lies and deceit and the truth is revealed in a hidden message in phosphorescent paint.

Lies & Deceit: This canvas shows the image that was released to the media by the government in the children overboard scandal in 2001. This photograph was doctored by government officials to make it seem as if children were thrown overboard from the SIEV 4 when in fact this was not the case.  This image was made by printing a copy of the black and white photo onto the canvas then I stenciled letters onto it as well using black matte spray paint.  

The Truth: This canvas reveals two photos of what actually happened, these photos were taken by a navy officer and show that the SIEV 4 was in fact sinking and that’s why people were jumping into the water. This image was made the same way but I sprayed the photos with phosphorescent paint to make them glow in the dark as well as the letters.

Background Information

Section One – Children Overboard 2001

Section one consists of three paintings relating to the children overboard issue in 2001 where the government released two close up photographs to the media saying that asylum seekers were threatening the Australian Navy, by throwing children off their boat into the sea because they were not allowed into Australian waters. This in fact was not the case, a women was actually holding up her child in hope that the Navy would cease fire their warning shots as their were children onboard the ship. Their ship was then turned around and sent out of Australian waters. Their boat then began to sink and under international maritime law the Navy had to rescue the Asylum Seekers. The photographs released to the media by the government did not show or mention anything about their sinking boat as the photos were cropped to tell a different story to the public.

The picture in black and white was the cropped photograph that was released to the public in 2001. The other two photographs in phosphorescent ink on canvas three were a series of images taken by a naval officer at the time of the incident and these images were never released to the public at the time.

The real information was not supplied to the public at the time of the incident as it was during Prime Minister Howard’s 2001 election Campaign. This was because Asylum seekers and border security was one of his main election priorities.

In Senator Faulkner’s speech in the Maritime Inquiry Investigation of the children overboard scandal he said "The response to boat people or asylum seekers was the main focus of the Howard Government in the lead up to the last federal election. The Government's strategy was based on politicising the asylum seeker issue for electoral advantage. It wasn't just the Tampa episode, or the bald faced lies about children being thrown overboard, it was a systematic campaign to engender public fear about asylum seekers and the need to protect our borders against them at all costs."

Other Sections in Exhibition

Section One- Children Overboard Part I

In 2001 the government released two close-up photos of children in the sea

The photos were actually doctored to hide the sinking ship in the background from the public.

It was said that these photos were taken after children were thrown overboard from the SIEV 4

 

Section Two- Children Overboard Part II

Defence Minister, Peter Reith told the media there was a video of the incident.

            But the video does not indicate that children were thrown into the water

            His response “Well, we’d better not see the video”.

 

Other Sections will touch on issues such as:

Section Three- Introduction of GST Part I

Section Four- Introduction of GST Part II

Section Five- Work place reform Part I

Section Six- Workplace Reform Part II

Section Seven- Terrorism Part I

Section Eight- Terrorism Part II

 

Conceptual Sketches

  Image Above: Conceptual image of how the exhibition may potentially be arranged.

 

Video: This is a simulation of how the audience will view the exhibition along with audio from newscasts. 

Image Above:  This is how the canvas was planned to be laid out will be laid out. The black text symbolizes the lies which the government has told the public, and the squiggly lines symbolize the truth, which is hidden between the lies.

Evaluation

After completing section one of ‘The Hidden Truth’ the initial feedback was that the work formally explored a unique approach by using light to hide and reveal the truth. The Hidden Truth has many successful elements in the piece and conveys a strong message that is easily interpreted by everyone. Formally I found it was very successful the text was clear with the lights on and once they were turned off everyone could clearly see the ‘Truth’ in the hidden message.  

Another successful element of ‘The Hidden Truth’, was that people were shocked that were actually misled and they wanted to find out what actually happened. This reiterated that an exhibition of these works would be really effective in captivating an audience’s attention. I found that there were no real weaknesses in “The Hidden Truth’ if I was to continue onto other canvases I might however change the background colour to conceal the phosphorescent text a bit more. Overall I found this project very effective in portraying my message to the audience with light as my medium to hide and reveal the truth.  

 

E-Media: Ident - The Creative Inside Me

Synopsis

The creative inside me is a ten second short film about myself trying to express my creative side. This ident is symbolized through a character trapped inside three television sets. As well as representing my creative side, the set represents my past work for a production company and my current E-Media Degree. The film will be shot in two parts, Part One the character will be filmed and edited onto three separate DVD’s. Part two involves shooting the content on the television screens with the use of a dolly shot as the master shot and cutaways.

The film has a dark grunge style with dramatic lighting, the only lights used in the shot are the television screens. The colour of the shots will be de-saturated in post and and a green tinge will be applied in color and a darker contrast will be applied in Final Cut Pro.

 

The pace of the edit is very important to the film, close ups will be cut into a master dolly shot and a voice over and sound effects will be edited in Soundtrack Pro.

Overall Look of Ident:

What i want to capture-

I want my Ident to capture my creative side trying to get out. This will be symbolized by having someone trying to escape out of three television sets.

Look of Production

Lighting - I want the room to be completely black with the use of the televisions to light the room. I will use two red heads while filming part one, one will be a backlight and the other a fill light.

Colour- The colours i want to mainly focus on are a light to dark green tinge and a heavy contrast of shadows. These colour effects i think can mainly applied to the shots in post production.

Edit- The production will be edited to a fast pace with the main shot being a tracking dolly shot away from the television sets to represent space. The other shots will be close ups of the television sets cut around the dolly shot.

Music  /  V/O  / Sound Effects- 

V/O -  The voice over is from the actor playing my creative side.

Sound Effects- Television Static, Electricity, Crackling, Echoing voices, screaming

Music- Dark grunge feel

How I Plan to shoot this:

The production will have to be shot and edited in two sections.

Section One-     I will have to shoot all the shots for the television screens first and then edit each screen into a different ten second loop. 

Section Two-     I will then shoot all the dolly shot involving the television screens with all DVD’s playing on a loop on separate DVD Players.

Concerns-  Inter lacing, will this work by de-interlacing all the shots in final cut pro first or will it not work at all. My interlacing concern was solved very easily, to avoid this i shot the shots for the television screens in a 4:3 aspect ratio so i did not have to worry about letter boxing or squeezing the image.  

Edits- I am going to do two edits of the final version one edit will be of just the camera on a tracking shot backwards. The other edit will have the tracking shot as the main shot and close up shots cut around the tracking shot.

Ideas on camera equipment- I think it might be best to shoot the content for the television screens in 4:3 so i don't have to worrying about cropping the image as they will need to be exported as standard definition anyway.

Section One: Pre-Production

Possible shots for television screens

-Stand subject away from black wall

-give them a hair light and fill light, maybe introduce a key light from the side to give them a shadow across their face.

-introduce warm light i would like to see a warm white balance.

Shots to maybe incorporate

- close up of face

-close up of mouth

-close up of eye

-close up of hands smearing across screen

-close up of hand knocking

-close up of head eye level

-close up of body eye level

-close up of legs eye level

Script Ideas

Possible script lines for voice over

- Let me Out!

- I want to be creative get me out of here help!

- Someone Let me out!

- Ok im ready to get out now

- Come on you can let me out

- I just want to be creative

- What are you waiting for?

- Thank you

I think it will be great to play around with these lines of dialogue in the studio as well as it might be a bit more natural for the actor.

            Shot List for First Shoot for three DVD's

    Storyboard for first shoot for three television screens

The shots above are the main basis of the character scene. I also want to add into the scene some close ups of the eye darting back and forth and the characters lips saying each word. I also want to get some shots of the character directly front on from eye level so i can construct the characters head, body and legs on the television screens in part two.

These are finished edits of the three separate DVD's that were used on the television screens for the section two of filming.

Television One

Television Two

Television Three

Section Two: Pre-Production

Shot list for Section Two

Edit One Just Dolly Shot

Shot list two for Section Two

Edit Two Dolly shot with quick cutaways

Storyboard

Section Two

Finished Version

Reflection

In reflection of my ident project i believe i achieved what i originally set out to create. I managed to capture the feeling and look i originally planned. The hardest thing i found was trying to play all three DVD’s all at the same time. I worked out that they were not all looping at the same time as the lasers were different speeds. Even though this was a challenge the three television sets worked in creating a character that actually looked like they were trapped inside the television set. If i was to do this task again i would make sure i was to use three of the same DVD Players to make the synchronizing of the images a lot easier. Overall I believe the concept worked and I managed to get the message across within the ten second time restriction.